Our country's classic Postal carrier system has been losing ground - and lots of money - for years. Not too long ago, they tried to cut out Saturday delivery to trim budgets. Seemed like a pretty sound idea to me based on the extreme uptick in other forms of communications. Met with a myriad of protests (some from the union?), Saturday was back on the ticket.
But Amazon just announced what I think could be a possible savior for the PO - or at least a nice test-crutch for the holiday season. You guessed it - Sunday package delivery of products purchased through Amazon will be delivered by Postal carriers (even in the rain, sleet or snow!)
As someone who's into my AARP-eligible years, I have to admit, I'm encouraged to see this throw-back. Guess we'll wait and see how it goes and if they expand beyond LA and NY in the future.
But now that younger consumers are moving away from stores like Abercrombie & Fitch and doing more shopping on-line where every three-dimensional item they purchase needs a delivery mechanism, we just may see more of those little white trucks on the roads. Be careful out there since the PO is always the winner if there's a crash - or is that just an old rumor?
http://www.usatoday.com/story/tech/2013/11/11/amazon-sunday-delivery-usps/3479055/
Tuesday, November 12, 2013
Friday, August 2, 2013
Thank You Howell Creative Group!
Without sounding like I’m
giving a graduation speech, or taking a sad trip down memory lane, it can’t be
overstated how great of an opportunity it is to spend a couple of months
working for this company. If you don’t mind being passed a fast paced share of work then you’ll love what Tiffany has lined up for you. It has been a
blast, and I’ve gained tons of experience in advertising. If all of that
interests you then you should contact the company about an internship, and
hopefully you’ll get a chance at a great opportunity like I did.
Now I’ll quickly take that trip down memory lane, and save whoever’s reading this from my rambling. I’d like to thank Kathy, Tiffany, Kelsey and everyone else at the company for the sense of welcome that they have demonstrated over the last three months. I felt like part of the team from day one, which makes contributing ideas and work infinitely easier. I’ve been continually impressed with the creative work being done in the office every day, and it’s great to have worked with people who love what they do, because that’s what’s most important about a career. The company is in great hands, and is on the right track for great things to come.
Josh Wallace
Thursday, July 25, 2013
Pre-Roll Ads Can Be Effective, They Just Need A Big Makeover
We’ve all experienced the awkwardness of playing a Youtube video
for a group of people and have faced the grueling five-second wait until you
can skip the pre-roll advertisement. Your group of friends could care less
about an ad for a Craftsman table saw when they want to watch a video of the
kung fu bear (Link). Even with targeted advertising, people still dislike pre-rolls
because the ads get in the way of instant gratification. Companies and
advertisers are continuously missing opportunities to make pre-rolls effective,
and are wasting resources as viewers instantly skip over the ads without
hesitation.
A Great Opportunity
Pre-roll ads give advertisers the opportunity for millions of
people to view their product or brand, and are one of the fastest growing
methods of advertising. Pre-rolls have great potential because the ads reach
the people who are now devoting more and more time to watching online videos,
and less time to watching television, while costing less than TV spots, too.
Low Performance
The big problem is that pre-rolls annoy the overwhelming majority
of viewers, and if they’re not annoyed, they tolerate them. The way most pre-rolls
are formatted now lead to very low click through rates, and incredible amounts
of viewers who do skip the ads after the five-seconds are up. On a platform of
video content that users seek out themselves, traditional advertising sticks
out like a sore thumb, and it has the potential of rubbing off onto the
products and brands it is promoting.
Get Creative
The solution to the problem then, is to drop everything you know
about traditional advertising, and to develop completely new strategies for
online video advertising, which operates in a different world. For example, if
advertisers have five seconds to capture the attention of the viewer and give
them a reason to not click the “Skip” button, why do they use an advertisement
that is made with a balance of beginning, middle and end? The first five
seconds of the pre-roll ad should be devoted to convincing the viewer that the
advertisement is worth putting off the Youtube video for a couple more seconds.
The horror movie Evil Dead executed that strategy perfectly with their conversion of
their standard movie trailer into a pre-roll ad, which you can watch here
(Link). (WARNING: Graphic Content).
Lastly, and most importantly, pre-roll ads should engage the
viewer. The Internet is full of funny, cool, emotional and educational videos that
people choose to watch. The key word is choose, and online ads should make the
viewer want to watch more, not click "Skip." Users seek out videos because the content engages
their interests on some level. Generally, things that are over saturated with
commercial content and reek of advertising are not favorable with users. Effective
pre-rolls must break the mold of
traditional advertising, and be used creatively to fit in with everything else
on the Internet. When users start to seek out interesting advertisements to
view is when advertisers will see positive results from those millions of
impressions.
Friday, June 28, 2013
The Big Deal With "Skinny"
The newest trend in restaurant cocktails involves slimming
down everything but the profits.
Skinny kicks up sales
Cocktails with the word “skinny” in their name have jumped a
staggering 44% in the Q1 at the top 500 restaurant chains, and have more than
doubled in each of the last three quarters, according to an industry study.
Skinny has quickly become the “it” word in cocktails, popping up everywhere
imaginable, but what is the buzz about?
What’s skinny?
Skinny refers to a cocktail that contains fewer calories.
They often are made with mixers that have fewer calories, but still pack a
punch of flavor. For example, a Red Lobster Lobsterita packs an astounding 890
calories per glass, while a Chili’s Skinny Margarita comes in at a mere 110
calories.
It’s not diet, it’s skinny
Diet implies sacrifice, where as skinny signifies
aspirations and intent. Utilizing the term is a smart move especially since sacrificing
drinks is the last thing restaurants want patrons to do. Cocktails have a
higher margin than food, so using a name that implies guilt-free indulgence
instead of sacrificing, is key. Admittedly, calorie counters like me feel at
ease ordering these skinny drinks and won’t be afraid to go for a second round since
they perceive less of an impact on their diet. More drinks equals more money
for the business, and less calorie counting for those enjoying the tasty
concoctions. Winning
In terms of marketing, the re-branding of diet drinks by removing
the negative associations and using a lighter feeling word is brilliant, and
judging by the bottom line, effective. The cost of the name change is minimal
while delivering a revenue stream that is anything but skinny. Talk about “fat “results.
Read more on the subject at AdAge
Thursday, May 30, 2013
Netflix Knows What They're Doing, Come On!
Netflix
has just written the book on word of mouth marketing with the recent campaign
for its “semi-original” show “Arrested Development.” Here’s a hint: quality is
key.
“Arrested
Development” was abruptly cancelled by FOX in 2006, after just three seasons.
The now cult classic was nominated for twenty-two Emmys, and took home six
while it was aired. Netflix picked up the cancelled show and filmed Season 4 in
2013, which is now available to stream in its entirety.
The
new season yielded three times the amount of initial streams than Netflix’s other
previous high-profile release “House of Cards.” The company’s advertising
campaign should be credited for the success.
For
those that have never seen “Arrested Development”, it is a show about a wealthy
family (the Bluths) that lost everything, and their son (Jason Bateman) who
had to keep them all together. The show unravels as a masterpiece of intricately
intertwined comedic genius. It is through the show’s natural quirkiness that
Netflixs promotional campaign flourished, which sparked the interest of
non-viewers by engaging Bluth lovers.
The
campaign relied largely on the base of loyal fans that “Arrested Development”
already had. The show has a large following of 18-30 year olds who began obsessively
re-watching the show at the first hint of its return. It’s no surprise then, that
a majority of the promotions were catered to the devoted fans, alluding to
colors and symbols of the show that often left “outsiders” clueless, but
intrigued. Brand advocates are one of the most important aspects of word of
mouth marketing; the other is providing those advocates with something to talk
about.
For
example, few things stick out more in Times Square than a giant wooden banana
stand. Even more surprising would be the line that extends from the stand as
far as the eye can see. The Bluth’s frozen bananas dipped in chocolate are one
of the many recurring jokes throughout the show, and fans flooded the stand
once word of its presence got around. Anyone not in on the joke was quickly
filled in about the stand, and about “Arrested Development,” by the hundreds of
fans eager to talk about the return of their favorite show. The end message was
communicated through the advocates to the non-viewers in a more personal and
trustworthy way than Netflix could have, which has led to the initial number of
streams.
The remainder
of the campaign used the same hands off approach as the banana stand, as fans
took to social media every time they came across something new from the
Bluths. Netflix ran a successful campaign solely on the quality of their
product, which should be a model for others.
Advocates
are important for every company to have, especially as business has moved into
a customer relationship oriented field. The key takeaway then, is that in order
to gain customers as advocates, the end deliverable has to create value to the
customer, so they have something they want to advocate.
After all, I am talking
about the new season of “Arrested Development” now, right?
Wednesday, April 3, 2013
It's NOT Complicated. *Tiffany's been waiting to cover this campaign!*
McDonald’s losing Millennial audiences;
suffering in sales of product to 20-somethings; major menu redo to gain market
share. While a thoroughly interesting issue and story, one of which I’ve regarded
curiously lately (see my retweet at R_TiffanyAnne) I knew in this issue of Ad Age I had to turn directly to the
article on AT&T’s “Not Complicated” campaign, aka my favorite TV spots, perhaps,
ever! Forget the major headline stuff this week, I want to know who made those
spots, what was the inspiration and are those adorably rambling first-graders
scripted or natural?
IT
CAME FROM ATLANTA
To quote one of my fav pigtailed stars from
these spots, “I want more, I want more, I like it I want more.” In November we
had the first chance to catch one of the “Not Complicated” spots where a group
of four children and one straight-edged man help us understand the one-ups
AT&T has over competitor’s wireless networks. As Ad Age put it, “the secret sauce was in the first-graders
imaginations.” BBDO, Atlanta brainstormed a simple concept, with remarkable flexibility
that enables producers to hone in on one clear message at a time, illustrated
with a hilarious, surprisingly human effect.
GUIDED
IMPROV
While the NBA version is “ok” (however, my
husband was most impressed by the star collection of athletes), “dizzy boy”
wiggling his head while waving his hand – aka “multitasking message” – in front
of an overly impressed moderator makes me laugh out loud every time I watch.
So, was this tiny tike told to yabber-on about how much he could shake and
wiggle, or was this a natural occurrence? “Guided improve” as I’ve come to
understand. Scripts were prepared in case nothing was useable, but otherwise
moderator Beck Bennett who is also part of comedy group Good Neighbor, guided
foursomes of six-year-olds through whatever their imagination brought them
while talking through topics like the importance of fast versus slow.
HARD
TO MAKE IT LOOK SO EASY
Each round of spots required shooting four or
five different groups of kids a day, with two hours devoted to each group.
Overly talkative kids were paired with attentive but not as “big energy” children
as Ad Age specified, (we all
understand how kids can go off subject). During editing if the spot felt too
scripted or unnatural, it was ditched. The result is a series of comedy spots
that have become a pop-culture phenomenon, drawing praise not just from the industry
but from your buddy at the water cooler too.
Wednesday, March 6, 2013
Data's cool, but sometimes you just have to go with your gut.
Digital marketing mediums have been terrific in helping us gather all that terrific ROI info and stats. And I'm the first one to want to do everything in my power to get our client's tangible results or sales from the marketing communications we produce. After all, it's their very real, very hard-earned money that's being spent.
But there have been more than a few times these last few years when I dared to ask myself if we should be letting that data drive the process as though it's the end-all/be-all.
Does it sometimes feel like stats can be trusted as much as the rental car's GPS who left my husband and me at the end of a dark cul-de-sac in Connecticut a few years ago? I can still hear "her" voice saying that final sign-off after the myriad turning directions that just seemed wrong to my gut (the navigator) - "Please call an operator at 800... for help".
As creative thinkers, our job is to do our best to interpret the numbers with a balance of left and right brain. And you know what? Sometimes the right brain just has to win to really land on a key message or image that truly will resonate with targeted customers for the long haul. It may not make the numbers change overnight or cause a flood of "likes" immediately. But after a while, it makes an impression on the mind of the folks our clients are hoping to influence. It really does help them remember our client's service or product when that customer is actually ready to buy what they offer.
And that's a key in business-to-business marketing - which is a lot of what we do. It's serendipity if the targeted buyer is ready to do a complete overhaul of their plant's conveyor system or move their corporate headquarters on the days they see the campaigns or websites. But more than likely, if it's on their mind when they do see our work, the message will resonate. And our clients will be remembered when it's time to say "go".
Adam Kleinberg who runs an interactive ad agency (translation - has access to lots of data) recently dared to share this type of message in Advertising Age. Check it out. http://adage.com/article/guest-columnists/data-driven-creative-equals-mediocre-creative/239960/
Can I get an "amen"?
Or do you think I'm off-target?
But be prepared - if you think I'm off, then I expect to see the data to prove it!
But there have been more than a few times these last few years when I dared to ask myself if we should be letting that data drive the process as though it's the end-all/be-all.
Does it sometimes feel like stats can be trusted as much as the rental car's GPS who left my husband and me at the end of a dark cul-de-sac in Connecticut a few years ago? I can still hear "her" voice saying that final sign-off after the myriad turning directions that just seemed wrong to my gut (the navigator) - "Please call an operator at 800... for help".
As creative thinkers, our job is to do our best to interpret the numbers with a balance of left and right brain. And you know what? Sometimes the right brain just has to win to really land on a key message or image that truly will resonate with targeted customers for the long haul. It may not make the numbers change overnight or cause a flood of "likes" immediately. But after a while, it makes an impression on the mind of the folks our clients are hoping to influence. It really does help them remember our client's service or product when that customer is actually ready to buy what they offer.
And that's a key in business-to-business marketing - which is a lot of what we do. It's serendipity if the targeted buyer is ready to do a complete overhaul of their plant's conveyor system or move their corporate headquarters on the days they see the campaigns or websites. But more than likely, if it's on their mind when they do see our work, the message will resonate. And our clients will be remembered when it's time to say "go".
Adam Kleinberg who runs an interactive ad agency (translation - has access to lots of data) recently dared to share this type of message in Advertising Age. Check it out. http://adage.com/article/guest-columnists/data-driven-creative-equals-mediocre-creative/239960/
Can I get an "amen"?
Or do you think I'm off-target?
But be prepared - if you think I'm off, then I expect to see the data to prove it!
Monday, January 14, 2013
Thank you for the Internship Experience
To Everyone at
Howell Creative Group,
This October, I proudly became part
of Howell Creative Group as a part-time intern. The reason that I chose Howell
was that I was taking Advertising & Marketing Communications class for my
Marketing major, and that I was hoping to get more hands-on experience in
marketing/advertising. Now that I am approaching the end of my internship, I would say that this experience with Howell is incredibly valuable
to me.
First
of all, I love the workplace. Howell is not a huge agency, but it feels like a
family. At the beginning of my internship, my director Tiffany explained to me
in details about the work style here, and introduced me to the current and past
projects. With her instruction, I quickly got an overall idea of whom we work
with, what kind of job we do, and how we treat our work and our clients in a
caring and professional manner. Also, Howell has a cute way of giving back to
the community, which is to send toys on the clients’ behalf to charity
organizations. When I saw the collection of toys on the top shelf that were
sent out in the past decade, I knew that I came to the right place.
The people you work with are always
a crucial aspect of a job. During the past two months, I had the opportunity to
interact with everyone at work; Tiffany even designed a Scavenger Hunt in order
to prepare me to get familiar with the agency and the people. As a green hand
in the agency, I had questions about almost everything, yet people are very
nice and patient to clarify and provide extra help, especially Kelsey :)
The most important thing is that I
gained great experience in my areas of interest by working on real tasks for
the clients. For the first time, I learned about how to design and place an ad
on social media platforms, and had a chance to do it on my own. I went on a
short business trip with Kathy and sat in face-to-face and virtual client
meetings. I provided copywriting for marketing materials, participated in
preparing for client pitches, and executed initiatives for the benefit of the
client’s business. With Tiffany’s advice and the exposure to professional work
samples, I also got inspiration to create high quality work for my advertising
projects. However, I could not have made so much progress if not for the
generous help and trust that I receive at Howell.
The two months with you has flown by fast. In the
end, I would like to thank everyone for your assistance and friendliness. It
has been a wonderful time with you, and added so much to my professional experience
and capability. I wish you all a happy holiday, and hope to see you again soon!
Sincerely,
Pocket
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